April 18, 2017

Blu-Ray News: Vestron's THE UNHOLY Arrives on Blu-Ray 6/27

The Vestron cult classic horror title releases continue with The Unholy, coming to Blu-ray on June 27, restored & remastered with all new special features!

Say your prayers before the Vestron Video Collector’s Series releases the demonic horror classic The Unholy, arriving for the first time on limited-edition Blu-ray on June 27 from Lionsgate. Following the mysterious murders of his predecessors, a newly appointed pastor must battle a powerful demon to save his parish and the world. The Unholy is packed with all-new special features, including an audio commentary with director Camilo Vila, isolated score selections, interviews with the cast and crew, the original storyboard gallery and more! Plus, this special edition includes the film’s original ending with optional audio commentary from producer Mathew Hayden.

VIEW THE TRAILER:
 

OVERLOOK FILM FESTIVAL: Opening Night Film and Visionary Award Announced

THE OVERLOOK FILM FESTIVAL ANNOUNCES OPENING NIGHT FILM - THE WORLD PREMIERE OF STEPHANIE FROM DIRECTOR AKIVA GOLDSMAN AND BLUMHOUSE PRODUCTIONS WHO PREVIOUSLY COLLABORATED ON THE PARANORMAL ACTIVITY FRANCHISE
Following the Screening of STEPHANIE, Goldsman and Blumhouse Will Unveil and Screen Their Favorite PARANORMAL ACTIVITY Film.

Full program schedule & tickets on sale now:
www.overlookfilmfest.com

The Overlook Film Festival reveals further details about its line-up today including its Opening Night film - STEPHANIE from Akiva Goldsman, a special screening and its Visionary Award winner. In its first year, the festival is bringing 39 films (22 features and 17 short films from 16 countries) to Mt. Hood's Timberline – the hotel used as the exterior setting of the infamous Overlook Hotel in Stanley Kubrick's masterpiece THE SHINING, located just one hour east of Portland, Oregon.

The Opening Night Selection of the 2017 edition of The Overlook Film Festival will be the world premiere of STEPHANIE, a supernatural horror-thriller from director Akiva Goldsman and Blumhouse Productions. The film is written by Ben Collins and Luke Piotrowski and stars Frank Grillo (Blumhouse's The Purge franchise), Anna Torv (Fringe), and Shree Crooks (American Horror Story, Captain Fantastic). STEPHANIE reunites two forces behind the PARANORMAL ACTIVITY franchise - executive producer Goldsman and Blumhouse. Following the screening of STEPHANIE, Goldsman and Jason Blum will participate in a Q and A and unveil and then screen their favorite PARANORMAL ACTIVITY film.

The festival’s Visionary Award will also be presented to Blumhouse Productions for the company's work with directors like Goldsman on unique, micro-budget genre films. Jason Blum will accept the award on behalf of the company. The Visionary Award was established to honor a contemporary horror figure or company elevating the genre, while fostering the community by providing opportunities for new talent to thrive.

“We couldn't be more pleased to have STEPHANIE as the Opening Night film on this first year of the festival,” said Festival Co-Director Michael Lerman. “With this film, Akiva Goldsman has crafted a horror thriller that's going to take audiences to unexpected places. We're proud to be its site of premiere,” added Festival Co-Director Landon Zakheim.

Opening Night Film:
World Premiere
STEPHANIE
Director: Akiva Goldsman
United States, 2017


Stephanie re-unites Blumhouse with Academy Award winning writer and director Akiva Goldsman (director: Winter’s Tale, writer: A Beautiful Mind, The Da Vinci Code, executive producer: the Paranormal Activity franchise) for this supernatural horror-thriller. In the not too distant future, after a global crisis, Stephanie is left alone in her remote home, while a dark supernatural force looms in the background. When her mother and father return to claim her, the malevolent power spins out of control with Stephanie at the center.


Special Presentation:
Surprise Paranormal Activity Event and Visionary Award Presentation


The Overlook Film Festival's Visionary Award will be presented to Blumhouse Productions, after which Blum and Goldsman will screen their favorite PARANORMAL ACTIVITY film in the franchise that helped launch Blumhouse.


GET TICKETS TO THE OPENING NIGHT FILM HERE

April 15, 2017

Blu-Ray Review: MARS (2016)

Starring Jihae Kim, Oliver Martinez, Ben Cotton, Clementine Poidatz, Sammi Rotibi, Alberto Ammann, Anamaria Marinca, Cosima Shaw, John Light. Directed by Everardo Gout. (2016, 283 min).
20TH CENTURY FOX

Now available on Blu-Ray

Mars is National Geographic's ambitious six-part miniseries that's part documentary, part speculative fiction which takes place in the years 2033 & 2037. While it's initially a mixed bag, things do improve as it goes along.

The story involves an international crew embarking on a privately funded journey to the Red Planet. The goal is to eventually establish a permanent, self-sustaining colony, a process expected to take several years. The endeavor is fraught with obstacles and complications, such as the physical effects of longterm space travel, creating a livable environment under severe Martian conditions and the psychological impact of living in relative isolation. For the most part, the crew is only one mechanical malfunction or screw-up away from certain death.

The crew felt like proud pioneers...until one of them spotted a discarded beach ball.
Interspersed throughout the story are interviews with present-day experts (including astronomy's resident rock star, Neil deGrasse Tyson) who discuss the feasibility of such a journey in real life. We also see ample footage of experiments conducted on and around Earth which might help prepare us for life on a hostile world. Incidents and dramatic turns in the plot are supported by evidence confirming their authenticity. And if nothing else, Mars is painstakingly detailed in its effort to present Martian life as realistically as possible.

Of course, being that this is a National Geographic production, the science is irrefutable and often quite fascinating. The series does a terrific job showing us that, not only would simply getting to Mars be a herculean task, actually living there would, for the most part, really suck.

However, what makes interesting science doesn't always translate into compelling drama. From a narrative standpoint, the first few episodes are almost too methodical in presenting the struggles of the crew, few of the whom are interesting enough characters to care about. Additionally, the frequent shifts back-and-forth from the story to present-day interviews are difficult to get used to.


 

But Mars improves dramatically, right around the time a months-long dust storm threatens the colony and a botanist starts to use his marbles. Similarly, when scientists discuss the psychological impact of extreme isolation on the human psyche, we develop a certain amount of admiration for anyone willing to subject themselves to it (such as astronaut Scott Kelly, who spent an entire year on the International Space Station). The show also finds a more consistent rhythm in segueing between reality and fiction.

With top-notch production design, mostly-convincing special effects and effective use of terrestrial locations, Mars is visually impressive; we seldom feel like we're watching actors on a soundstage. It takes awhile to get going, but while the story and characters pale in comparison to The Martian (and you will make such a comparison), Mars is a fairly enjoyable and informative miniseries. It also leaves the door open for another season (which National Geographic just recently announced).

EXTRA KIBBLES
MAKING MARS - A full length episode about the miniseries;
BEFORE MARS - A 30 minute prequel focusing on Hanna & Joon as teenagers
FEATURETTES:
"Getting to Mars," "Living on Mars" & "More Mars" - several promotional mini-docs (though not explicitly related to the show);
"Behind the Scenes" - A three-part featurette;
"Cast & Crew Interviews";
"Before Mars: Behind the Scenes"
DIGITAL COPY
KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

April 11, 2017

Blu-Ray Review: UNDERWORLD: BLOOD WARS

Starring Kate Beckinsale, Theo James, Lara Pulver, Tobias Menzies, Bradley James, Peter Andersson, James Faulkner, Clementine Nicholson, Daisy Head, Charles Dance. Directed by Anna Foerster. (2017, 91 min).

The original Underworld was a competently made, mildly entertaining horror-fantasy that, while successful, wasn't anything especially memorable. Aside from a sultry, leather-clad Kate Beckinsale defying gravity as she shot and sliced her way through legions of Lycans, there was little to distinguish it from similar CGI driven action-thrillers. Yet here we are,14 years later, with a fourth sequel, Underworld: Blood Wars, which probably prompted many of us to say, "Really? They're still making those?"

I never felt compelled to venture beyond the first film, even when the other sequels popped up on television, and if Blood Wars is any indication, I'm not alone. The film realizes the franchise isn't exactly the Star Wars saga, and wisely takes the time - through narration and flashbacks - to recap major events from previous installments that newbies need to know.

As usual, Selene overdresses for the occasion.
Beckinsale returns as Selene, a vampire Death Dealer, now an outcast (she once killed an elder who betrayed her) and hunted by both Lycans and the Eastern Coven. However, when the Lycans' powerful new leader, Marius (Tobias Menzies), poses a serious threat, council member Semira (Lara Pulver) suggests making peace with Selene so she can show Death Dealer trainees how to protect the coven. Semira also has secret nefarious plans to take control of the coven. Meanwhile, Marius is looking for Selene because her Lycan/vampire daughter's blood will make him invincible.

It's a lot of plot for an action movie and much of it is fairly predictable, therefore not too interesting. The same could be said for most of the characters. As Selene, Beckinsale still knows how to fill-out a leather jumpsuit and smolder, but her main ally, David (Theo James) isn't particularly dynamic and Marius makes a bland villain. On the other hand, Lara Pulver effectively exudes sexiness and cruelty in equal measures as Semira. There's an abundance of bloodletting and CG action, which I suppose is what we pay to see. Some of it is fun and engaging, though nothing you haven't seen before in countless other similar films, including the original Underworld.

By no means terrible, Underworld: Blood Wars is an unremarkable film that isn't apt to have much appeal beyond its core of existing fans. Undemanding newcomers may find it watchable, as it moves along briskly and doesn't overstay its welcome, but it's doubtful they'll wait with bated breath for Underworld 6

EXTRA KIBBLES
FEATURETTES:
"The Evolution of Selene" (profile of the title character; "Building a Blood War"; Old & New Blood" (featurette of new & returning characters); "The Evil Evolved"
UNDERWORLD: BLOOD WARS - Digital version of the graphic novel...good luck actually reading it.
DIGITAL COPY
KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

OVERLOOK FILM FESTIVAL Announces Line-Up, World Premiere of Four Features, Roger Corman to Accept Master of Horror Award.

THE OVERLOOK FILM FESTIVAL ANNOUNCES LINEUP, WORLD PREMIERE OF FOUR FEATURES, ROGER CORMAN TO ACCEPT MASTER OF HORROR AWARD
Full program schedule & tickets on sale now:
www.overlookfilmfest.com

(PORTLAND, OR) – The Overlook Film Festival is proud to announce its inaugural year programming lineup. In addition to the 37 films (20 features and 17 short films from 16 countries) on offer, the festival will overflow with genre-themed parties, interactive events, and live experiences, all set against the breathtaking backdrop that is Mt. Hood, located just one hour east of Portland, Oregon.

On closing night of the festival, audience members will be treated to an unmissable secret screening. The Centerpiece presentation of the 2017 edition of The Overlook Film Festival is William Oldroyd's LADY MACBETH, which premiered at the Toronto International Film Festival and was a Sundance Film Festival Official Selection. The festival's Opening Night film and additional surprises will be announced later this week.

Legendary director and producer Roger Corman will attend to accept the Overlook Film Festival's Master of Horror Award. The Master of Horror Award was established to honor a living legend who has contributed lasting innovations to the genre throughout a long career, inspiring new filmmakers for years to come. Producer and director Roger Corman has made more than 300 feature films, earning him the nickname the “Godfather of Independent Film.”

In addition to films and special guests, the Overlook Film Festival is generously packed with live presentations. The festival's signature live event, a weekend long immersive horror game available to badge holders, is produced by Bottleneck Immersive exclusively for the festival. Other live experiences run the gamut from sessions of extreme haunt sensation BLACKOUT to Glass Eye Pix's TALES FROM BEYOND THE PALE, a live-audio drama featuring all new work written and directed by horror impresarios Glenn McQuaid and Larry Fessenden.

“It’s an incredibly exciting time and we’re really proud of the lineup!,” said Festival Co-Director Michael Lerman. “Between the world premieres and the festival favorites, I feel like it really does justice in honoring this amazingly special location.” Added festival co-director Landon Zakheim “The festival was built from the ground up to exist as a community for fans to celebrate horror in all of its forms. We can’t wait for attendees to discover our dark carnival of interactive experiences and the artists behind them.”


Centerpiece and Closing Night presentations

Centerpiece Film:

LADY MACBETH
Director: William Oldroyd
United Kingdom, 2016
Rural England, 1865. Katherine is stifled by her loveless marriage to a bitter man twice her age, and his cold, unforgiving family. When she embarks on a passionate affair with a young worker on her husband’s estate, a force is unleashed inside her so powerful that she will stop at nothing to get what she wants.

Closing Night Film:

Secret Screening

For our closing night festivities, the Overlook Film Festival proudly presents a hotly anticipated film from a bold voice in film. Come and be the first to see an unmissable work of genre art!

Feature presentations

THE BAD BATCH
Director: Ana Lily Amirpour
United States, 2016
Set in a post-apocalyptic future, this imaginative tale sees a young girl deemed longer suitable for civilized society, is forcibly put out to pasture in rugged Texas wasteland inhabited by a iron-pumping ground of blood thirsty cannibals. The sophomore effort from Ana Lily Amirpour (A Girl Walks Home Alone at Night), The Bad Batch is genre-bending acid trip full of iconic imagery and evocative sequences.

THE BAR
Director: Álex de la Iglesia
Spain, 2017
Spanish genre maverick Alex de la Iglesia returns to form with fast paced horror-comedy about a random group of diners who get trapped together inside a bar in downtown Madrid when a sniper opens fire on the streets. As claustrophobia sets in inside, a series of bizarre occurrences take place outside, leading this mismatched bunch to extreme paranoia that may have vicious consequences.

World Premiere
BLOOD DRIVE

Created by: James Roland
United States, 2017
Syfy's new grindhouse-inspired series soaked in high-octane chaos and just barely approved for television. After Los Angeles’ last good cop is forced to join a twisted cross-country death race, his only hope of survival is a dangerous femme fatale. Oh, and forget gasoline… these cars run on human blood.

BOYS IN THE TREES
Director: Nicholas Verso
Australia, 2016
Part eerie, part moving, this engrossing coming-of-age tale sees two estranged teens begrudgingly finding themselves walking home together on Halloween 1997. As the differences in the pair start bubble to the surface, the two embark on a surreal journey through their vivid memories, lurid dreams and morbid fears.

THE DWARVES MUST BE CRAZY
Director: Bhin Banloerit
Thailand, 2016
The most insane and hilarious horror comedy you will see this year, The Dwarves Must Be Crazy follows a village of little people as it is attacked by an evil ancient Thai spirit. When the local inhabitants feast on some poisonous fireflies, all hell breaks loose in this chaotic piece of anarchic cinema full of intestines and flatulence humor.

HOUNDS OF LOVE
Director: Ben Young
Australia, 2016
In the mid-1980s, 17-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. As she observes the dynamic between her captors, she quickly realizes she must drive a wedge between them if she is to survive.

KILLING GROUND
Director: Damien Power
Australia, 2016
With their hearts set on a romantic vacation, Ian and Samantha arrive at an isolated campsite, only to to find an SUV and a tent — with no sign of the occupants. The discovery of a distressed child wandering in the woods unleashes a terrifying chain of events that will test the young couple’s breaking point. The great tradition of shockers like Straw Dogs and Wolf Creek, this brutal survival thriller cuts deep.

LAKE BODOM
Director: Taneli Mustonen
Finland, 2016
Every camper’s worst nightmare came true at Lake Bodom in 1960 when four teenagers were stabbed to death while sleeping in their tent. As the years passed and the case grew cold, the unsolved mystery turned into a creepy campfire story passed from generation to generation. Now, a group of teenagers arrives at the same campsite, hoping to solve the murder by reconstructing it minute by minute. As night falls, it turns out not all of them are there to play.

LIKE ME
Director: Robert Mockler
United States, 2017
A reckless loner, desperate for human connection, sets out on a crime spree that she broadcasts on social media. Her reality quickly splinters into a surreal nightmare that escalates out of control, just in time for Christmas.

MAYHEM
Director: Joe Lynch
United States, 2017
In this explosive new film from director Joe Lynch, a dangerous virus that prevents the infected from controlling their inhibitions is discovered in a corporate law building - the very same firm that recently cleared an infected man on murder charges. When a quarantine is issued and the building goes on lockdown, all hell breaks loose inside, leaving a disgruntled employee (Steven Yeun) and an irate client (Samara Weaving) to fight their way to the top to “have a word” with the corrupt executives who wronged them.

MEATBALL MACHINE KODOKU
Director: Yoshihiro Nishimura
Japan, 2017
Japanese cyberpunk is alive and well In this follow-up to the 2005 splatter comedy Meatball Machine. Taking the reigns this time is effects specialist Yoshihiro Nishimura (Tokyo Gore Police) as he puts his own independent spin on the story of the alien parasite who turns unsuspecting humans into Necro-borg - half man, half machine creatures who will stop at nothing to battle each other to the death.

M.F.A.
Director: Natalia Leite
United States, 2017
Following the brutal sexual assault of a fellow classmate, an introverted art student sets out into the campus night to take justice into her own hands in director Natalia Leite's terrifying and poignant revenge thriller.

PSYCHOPATHS
Director: Mickey Keating
United States, 2017
When an unidentified madman is sent to the electric chair, it triggers a sort of Mischief Night for a group of serial killers out in an entire city. An escaped mental patient, a beautiful seductress, a strangler who preys on unsuspecting women and an enigmatic masked contract killer run amok in Mickey Keating's new slasher fest.

North American Premiere
PREY

Director: Dick Maas
Netherlands, 2016
Bad boy Dutch director Dick Maas returns with this over-the-top thriller about a enormous, aggressive lion who is on the loose outside of Amsterdam. Teaming up the police and her hunter ex-boyfriend, a brilliant veterinarian is hot the trail, dead set on catching the beast before he tears through everything in site in this romp of a gore fest.

World Premiere
STILL/BORN

Director: Brandon Christensen
Canada, 2017
When Mary loses one of her twins during childbirth, she feels an unparalleled disconnect. As she struggles with the loss of one child, she begins to suspect a sinister force have plans for the other. Written by Colin Minihan of The Vicious Brothers (GRAVE ENCOUNTERS) and pitch perfectly directed by new comer Brandon Christensen, Still/Born is a newborn horror you won't soon forget.

TERROR 5
Director: Sebastian Rotstein & Federico Rotstein
Argentina, 2016
On a night when the City Governor is facing the accusation of being responsible for a tragedy that led to the death of 15 persons when a building in construction fell apart, five citizens who remain disillusioned are fated to face their most terrifying fears. Based on a set of urban legends, these seedy, allegorical tales of lust, possession, revenge, and voyeurism will make your skin crawl.

TWO PIGEONS
Director: Dominic Bridges
United Kingdom, 2017
Hussein, a slick talking real estate agent, gets by day to day thanks to sharp wit and massive ego. Unbeknownst to him, he's sharing his apartment with a forgotten stranger, a master of concealment who is plotting a malicious campaign of vengeance. One of the most unique voices in genre cinema this year, director Dominic Bridges crafts the darkest of comedies about class.

THE UNTAMED
Director: Amat Escalante
Mexico/Denmark, 2016
The fragile existence of a young housewife and her working class family is thrown off balance when a mysterious stranger comes into their lives convinces them that in the nearby woods, inside an isolated cabin, dwells something not of this world that could be the answer to all of their problems. Director Amat Escalante's shocking and controversial new film touches on themes of family values, hypocrisy, homophobia, and male chauvinism.

Special presentations

Master of Horror
The Overlook Film Festival's Master of Horror Award was established to honor a living legend who has contributed lasting innovations to the genre throughout a long career, inspiring new filmmakers for years to come. This year's recipient is the one and only Roger Corman, director and producer extraordinaire whose techniques, output and mentorships changed the face of independent film. Joining Corman onstage will be filmmaker Mick Garris (creator of "Masters of Horror" and director of Stephen King's "The Shining" and "The Stand" miniseries events) to hold a live conversation about Corman's illustrious career for the podcast POST MORTEM WITH MICK GARRIS. Stay for a screening of a classic Corman film.

World Premiere
CAPTURE

Director: Georgia Lee
Hong Kong/United States, 2016
A young woman returns to her family in Hong Kong to tend to her ailing grandmother. Upon arriving, she begins to come into contact with strange occurrences - noises, moving objects and frequent electronic disruptions. Filming her day to day activities for her doting husband, she begins to unravel the terrifying mystery that haunts her family and its connection to her dark past. In the tradition of William Castle, this innovative feature uses app technology for maximum, real time interactivity with the film and the evils within.

PARANORMAN
Directors: Chris Butler & Sam Fell
United States, 2012
A misunderstood boy who can speak with the dead takes on ghosts, zombies and, worst of all, grown-ups, in order to save his town from a centuries-old curse in this modern animated classic from the wizards at Laika. Join your fellow children of all ages for the perfect love letter to all things that go bump in the night.

World Premiere
PRIMAL SCREEN

Director: Rodney Ascher
United States, 2017
Why are we simultaneously attracted to and repelled by the things that scare us the most? In this unique piece of work, acclaimed filmmaker Rodney Ascher (ROOM 237, THE NIGHTMARE) explores the pop culture that left dark impressions on us as children. Ascher asks real people to look back at pop-culture artifacts that traumatized them in their youth and describe the effect they had on their lives. A singular hybrid of documentary and horror, Ascher will present with an extended talkback following.

Live presentations

IMMERSIVE HORROR GAME

Produced by Bottleneck Immersive
Unfolding over the entire festival weekend, The Overlook Film Festival’s signature event is a fully realized interactive horror mystery that bleeds seamlessly into the festival atmosphere. Open to all badge holders, The game permeates the entire weekend, featuring planted actors, hidden clues, tactile puzzles, and surprising twists that each player can engage with at their own comfort and interest. Those who follow the clues become the protagonists of an engaging and thrilling narrative that no two players will experience in exactly the same way. Details of the game’s story are not revealed until the festival begins. Don't phone it in. And remember: discovering how to play is all part of the game.
3\4\6|3/     8/4|3|     2/7|2\4|4\8\4\7\8/     2|3|9/2/7|3|     7\2/6|4\8/9\
6\2\8/6\2|3|7|

The game is available exclusively to badge holders. To register for a more active experience, players must must opt-in and attend a game orientation at the festival. To be notified when registration goes live, sign up for the festival's mailing list here: http://bit.ly/2oYdtdd

TALES FROM BEYOND THE PALE
Directors: Larry Fesseden & Glenn McQuaid
Presented by Glass Eye Pix, TALES FROM BEYOND THE PALE is an ongoing series of audio dramas penned by luminaries from the world of contemporary horror from JT Petty (HELLBENDERS) to Simon Barrett (YOU’RE NEXT), and Kim Newman (ANO DRACULA), featuring players from Ron Perlman (HELLBOY), to Angus Scrimm (PHANTASM), and Mark Margolis (AMERICAN HORROR STORY). The Overlook edition will feature performers culled from the film lineup and festival guests. Join horror impresarios Glenn McQuaid and Larry Fessenden as they invite you to close your eyes and… listen. Priority entrance for badge holders.

CHALET
Director: Anne Katherine Lesser
The Chalet is based on The ABC Project's A(partment 8), an immersive performance piece for an audience of one. In The Chalet audience members take a walk in someone else's skin for a fully immersive theatrical experience. One audience member per performance. Morbid & disturbing with a twinge of black humor, A(partment 8) was a smash hit at the 2016 Hollywood Fringe Festival receiving rave reviews and selling out from word of mouth within 24 hours of its opening night. Slots available exclusively for all-access badge holders.

BLACKOUT
Directors: Kristjan Thor & Josh Randall
In 2009, an underground immersive horror experience swept through the NYC art scene and began a path that would transform the international horror community. BLACKOUT is an X-rated fear experience designed for adults over 18 to walk through completely alone. Created by directors Kristjan Thor and Josh Randall, BLACKOUT has had productions in New York, Chicago, San Francisco, and Los Angeles. Now at the Overlook Film Festival, BLACKOUT presents a rare and unique opportunity for the adventurous to make their way through what the NEW YORK TIMES has called the "most extreme theater event of the year." Slots available exclusively for all-access badge holders.

WARNING: This is considered an extreme experience and is exclusively for pass holders. Participants will be required to sign a waiver. Slots will be limited and made available on Monday April 24th. Sign up for our mailing list to learn the exact time: http://bit.ly/2oYdtdd

DEAD RIGHT HORROR TRIVIA
Do you consume horror as voraciously as zombies eat flesh? The hit Los Angeles horror event comes to the Overlook Film Festival! Join your hosts Ryan Turek (Blumhouse Productions) and Sam Zimmerman (Shudder) to test your horror knowledge in eight rounds of terrifyingly titillating trivia. Scare yourself with how much you actually know about horror.  Registration for this event is free and open to the public, Overlook badge holders receive priority registration.

MULE
Director: Guy Shelmerdine
From virtual reality's impresarios of horror Dark Corner Studios (creators of CATATONIC) comes a new vision of death. Piece together the choices that led to your demise, as you endure the the final hours of one very bad day. Choose your ending — do you want to be buried or cremated?

MULE is a 360º immersive virtual reality experience. Not recommended for people with epilepsy or who are sensitive to portrayals of graphic violence or nudity. Slots available exclusively for all-access badge holders.

THE PUMPKIN PIE SHOW
Director: Clay McLeod Chapman
Come join us for a special presentation of The Pumpkin Pie Show and get ready to get icky. For 20 years, author Clay McLeod Chapman and his rigorous storytelling session The Pumpkin Pie Show have offered a view into the lives of Southern Gothic monstrosities. Sometimes darkly humorous, sometimes strangely heartbreaking, these stories explore the domestic horrors of the everyday, finding terror within our own households. This one-of-a-kind performance delves deep into the depraved minds of those madmen and women who drift along the periphery of humankind. Priority entrance for badge holders.

ONE-ON-ONES PRESENTED BY THE PUMPKIN PIE SHOW
Director: Clay McLeod Chapman
Author Clay McLeod Chapman will take one audience member at a time on a dark ride through depravity in this intimate storytelling experience. Think of it as a heart-to-bleeding-heart with madmen, murderers and monsters telling their own story. No fourth wall, no escape. Sessions will last between 5 to 20 minutes. Available exclusively for all-access badge holders.

Short film presentations

ARCANA
Director: Jerónimo Rocha
Portugal, 2015
Somewhere in a dark wet dungeon on the Iberian peninsula, an 11th century heretic plots her escape.

ARRET PIPI
Director: Maarten Groen
Netherlands, 2015
Sarah and Bram's road trip takes a horrifying turn when they stop for a bathroom break in the dark woods of Wallonia, Belgium.

THE CLEANSING HOUR
Director: Damien LeVeck
United States, 2016
Two webcasters who stream faked exorcisms around the world must contend with the appearance of a real demon - live in front of millions of viewers.

DAWN OF THE DEAF
Director: Rob Savage
United Kingdom, 2016
When a sonic pulse infects the hearing population, a small group of Deaf people must band together to survive.

DEATH METAL
Director: Chris McInroy
United States, 2016
A metalhead gets passed down a satanic guitar that riffs to shreds.

DON'T EVER CHANGE
Director: Don Swaynos
United States, 2016
The reunion of a woman and her estranged daughter is interrupted by a man with an unusual request.

AN ELDRITCH PLACE
Director: Julien Jauniaux
Belgium, 2016
A tale of frontiers and madness.

FUCKING BUNNIES
Director: Teemu Niukkanen
Finland, 2017
Raimo’s comfy middle class bubble is burst when a satan worshipping sex cult moves in next door.

GREAT CHOICE
Director: Robin Comisar
United States, 2017
A woman gets stuck in a Red Lobster commercial.

THE HOME
Director: L. Gustavo Cooper
United States, 2017
A young woman fights for her sanity, and for her unborn child, as an ancient evil descends on a convent.

I WANT YOU INSIDE ME
Director: Alice Shindelar
United States, 2016
A tale of all-consuming desire.

THE ITCHING
Director: Dianne Bellino
United States, 2017
In this handmade collaboration, a shy Wolf tries to connect with a group of hip, party-loving Bunnies but finds her body is in revolt.

A KNOCK AT THE DOOR
Director: Katrina Rennells & Wendie Weldon
United States, 2016
Moments after the sound of a bloodcurdling scream, there is a knock at the door.

A NEARLY PERFECT BLUE SKY
Director: Quarxx
France, 2016
You might think that Simon lives a monotonous life. You would be wrong...

THE SOUND OF BLUE, GREEN AND RED
Director: Joshua Erkman
United States, 2016
A man searches for his missing wife, only to realize upon finding her, she is not who he thinks she is.

WHEN SUSURRUS STIRS
Director: Anthony Cousins
United States, 2016
A body horror tale like no other. The story of one man's bond with a parasitic creature that could result in the end of us all.

Important Dates

April 14: Press Accreditation closes
April 27: Festival begins

To keep up to date with The Overlook Film Festival, visit http://www.overlookfilmfest.com/. Follow us on Facebook (https://www.facebook.com/OverlookFilmFestival/) and on Twitter (@TheOverlookFest) and Instagram (@OverlookFilmFest) and join the conversation using the hashtag #OverlookFilmFest

The Overlook Film Festival
The Overlook Film Festival is a 4-day celebration of horror that runs from April 24 - 30, 2017 at the historic Timberline Lodge located in Mt. Hood, Oregon, featured in Stanley Kubrick's masterpiece THE SHINING as the location of the infamous Overlook Hotel. Presenting superior film programming with an expanded focus on experiential events, the festival showcases exciting work in new and classic horror cinema alongside the latest in interactive and live shows for a fully immersive weekend. As a summer camp for genre fans, The Overlook is a community event bringing the best of horror in all its forms to an enthusiastic and appreciative audience within an intimate and inspirational environment.

The Overlook Film Festival is sponsored by IFC Midnight, Shudder, Syfy, Daily Dead, and FrightDay.
Media partners: ScreenAnarchy, Bloody Disgusting, Birth.Movies.Death.

April 9, 2017

Blu-Ray Review: MONSTER TRUCKS

Starring Lucas Till, Jane Levy, Holt McCallany, Rob Lowe, Thomas Lennon, Barry Pepper, Danny Glover, Frank Whaley, Amy Ryan. Directed by Chris Wedge. (2017, 104 min).

Somewhat famously, Monster Trucks - which cost $125 million - was actually completed nearly two years ago, its release date repeatedly pushed back until it finally saw the light of day in January, the month most movies are sent to die. By then, its studio, anticipating a massive flop, had already taken a writedown on the film months before it even reached theaters. Sure enough, Monster Trucks came and went virtually unnoticed.

Is it that bad? Not really.

Sure, Monster Trucks is narratively clumsy and filled with bland, cliched characters. And yeah, it looks like it was cynically produced with tie-in toys in-mind, pandering to undemanding kids infatuated with both monsters and trucks. One might even be offended by some of the blatant product placement on display (everyone drives a Dodge, watches TV channels owned by Viacom and drinks Big Red). The entire movie itself is more concept than creation, and probably deserved to play to empty auditoriums.

On the other hand, if you're in the right frame of mind (or a 10-year-old boy), Monster Trucks plays surprisingly well at home, where expectations are generally lower to begin with. Despite an utterly predictable story loaded with heavy-handed themes we've seen in countless other family films, it still manages to be sporadically charming. The two lead teen characters, Tripp & Meredith (Lucas Till & Jane Levy, who are obviously well into their 20's) may not be particularly dynamic, but they're likable enough to keep us rooting for them.

When garden slugs go unchecked.
The premise, in which an evil oil executive (Rob Lowe) whose drilling accidentally unleashes giant mollusk-like creatures who feed on oil, is inherently ridiculous, but little kids aren't likely to care. They'll be too enthralled by Creech, a slimy-yet-cute critter who loves going fast by serving as the engine to Tripp's rusty old pick-up. Of course, the oil company wants to keep drilling, with plans to poison the ecosystem Creech came from, so they hire professional thug Burke (Holt McCallany) to capture Creech so they can keep it secret. Typical of films like this, it's up to the kids to save the day from the nasty, heartless adults.

Kids probably wouldn't have it any other way, which one needs to keep in-mind. Monster Trucks is unabashedly a children's movie and everything that entails. It's colorful and fast-moving, with interesting special effects and the type of silly humor that makes them giggle. There's also a considerable amount of vehicular action & destruction, and what Hot Wheels loving little boy isn't gonna love that? If nothing else, Monster Trucks is technically ambitious. Much of its considerable budget is obviously right up there on the screen.

Monster Trucks is ultimately a forgettable film, perhaps even irritating from an adult perspective. But if you have kids, it's inoffensive entertainment that's sure to amuse them a time or two. It's cynical, assembly-line filmmaking, to be sure, though not as bad as its reputation suggests.

EXTRA KIBBLES
FEATURETTES: "Who's Driving the Monster Trucks?"; "The Monster in the Truck"; "Creating the Monster Truck"
GAG REEL
DELETED SCENES
PRODUCTION DIARY
2 WALL DECALS
DVD & DIGITAL COPIES
KITTY CONSENSUS:
NOT BAD...IF YOU HAVE KITTENS IN THE HOUSE

April 8, 2017

DVD Review: BLACKHEARTS

Directed by Fredrik Horn Akselsen, Christian Falch. (2017, 83 min).

To call black metal on the fringe is an understatement. Unremittingly bleak, musically extreme and overtly satanic, it's a safe bet even most hardcore metal fans consider it unlistenable noise. The genre was born in the Norwegian underground over two decades ago, and for the most part, that is where it has stayed.

Still, while legends like Mayhem, Darkthrone and Gorgoroth aren't exactly household names, the genre's influence did manage to leak beyond its Nordic borders. Blackhearts is a fascinating documentary that focuses primarily on three black metal artists from various parts of the world, whose only dream is to travel to Norway and perform where their music would be most appreciated. We get to know them personally...life in their home countries, their influences and what the music means to them personally.

Of the three, Sina, a guitarist from Iran, is the most likable and charming. Forbidden from performing black metal in his home country, when he finally has the opportunity to play at a music festival in Norway (and meet a few of his idols), his awestruck sincerity is genuinely heartwarming, whether you're a fan of the genre or not. Then there's Hector, a family man from Colombia, who not only loves the genre, but has embraced Satan in his personal life; he and his band, Lucifarian, even sell their souls in a black ritual in order to afford the trip to Norway. Finally, we have Kaiadas, from Greece, who's a member of the alt-right political party, Golden Dawn, and gets arrested for criminal activities before the rest of his band heads north to perform at a festival.

Getting into that Christmas spirit.
We also meet a few of the "godfathers" of black metal, Nocturno Culto from Darkthrone and Arnt Gronbech from Keep of Kalessin, both of whom are more humble and down-to-Earth than the over-the-top, sinister image we typically associate with the genre. They are also philosophical about the role black metal plays in their own lives.

There are plenty of music performances. None of them are likely to create any converts, though one has to appreciate how technically - not-to-mention physically - demanding this music is. I also have to admit, though black metal isn't exactly my thing, Keep of Kalessin was intriguing enough for me to check out more of their music (turns out they're a damn good band).

It's a cliche for artists of virtually any genre to publicly announce "it's all about the music," which is easy to say when you're famous and raking in millions. But black metal artists already know they'll never be famous, never be millionaires, never accomplish more than preaching to the choir in dark caverns during Norwegian winters. For them, it really is all about the music, even if playing in a tiny room with six other happy headbangers. Whether they're veterans or hopefuls, their dedication to their craft is never in question. Even if one dismisses black metal as unintelligible noise, Blackhearts is an enlightening and entertaining look at a culture they probably know very little about.

EXTRA KIBBLES
FEATURETTES:
"It's All About Looking Good Onstage" - Obsidian C's workout regimen;
"He Fought a Bear and Lost" - Interview with Darkthrone's Nocturno Culto at 2015's Blastfest;
"White Metal Ministry" - Interview with a Colombian pastor and black metal musician; though the song remains the same, as they say, his message is different.
EXTENDED SCENE (of Hector's Satanic ritual)
2 MUSIC VIDEOS
TRAILER
KITTY CONSENSUS:
PURR-R-RAWR-RAWR-RAAAAHHH!

April 7, 2017

Blu-Ray Review: WAR ON EVERYONE

Starring Alexander Skarsgard, Michael Pena, Theo James, Malcolm Barrett, Tessa Thompson, Caleb Landry Jones, Paul Reiser. Directed by John Michael McDonagh. (2016, 97 min).

Watching War on Everyone, I am reminded how great Michael Pena is. Though not often a leading man, he sure manages to steal a lot of scenes from his bigger co-stars. He's also pretty damn funny while never appearing to be trying too hard.

He's easily the best part of War on Everyone, a hit or miss black comedy about two unscrupulous, crooked cops who supplement their income by extorting most of the criminals they're pursuing. Pena plays Detective Bob Bolano, who, along with his partner, Terry Monroe (Alexander Skarsgard), learn of a racetrack robbery planned by wealthy playboy "Lord" James Mangen (Theo James). But they find themselves in over their heads because Mangen is ruthless, violent and unafraid to kill anyone who crosses him.

"Does someone need a hug?"
The plot is mostly a springboard for these two cops to engage in a variety of bad behavior. They harass suspects, cause a lot of gratuitous destruction, snort coke & drink on the job and, of course, are indifferent to the threats of their frustrated captain (Paul Reiser, in a thankless role). Sometimes the film is clever and funny, other times obnoxious and gratuitously stupid. As is typical for films like this, there's an ensemble of supporting characters whose only purpose is to behave like oddballs. 

Monroe's blustery, belligerent behavior grows especially tiresome after awhile, and unfortunately, he gets more screen time than Bolano. That's too bad because Pena is absolutely wonderful in the role. He's effortlessly amusing, even when forced to occasionally deliver some asinine dialogue. It's his numerous throw-away lines and reactions that provide most of the movie's laughs.

Elsewhere, War on Everyone works in fits and starts, wavering - sometimes uncomfortably - between dark humor and Will Farrell-style overkill. Ultimately, the film is probably amusing enough to make it worth a watch, especially with Michael Pena in fine form.

EXTRA KIBBLES
FEATURETTE: "Everyone Sounds Off: The Quirky Cast of War on Everyone"
DVD & DIGITAL COPIES

KITTY CONSENSUS:
NOT BAD...LIKE CAT CHOW

April 5, 2017

Blu-Ray Review: ROGUE ONE: A STAR WARS STORY

Starring Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, Forest Whitaker. Directed by Gareth Edwards. (2016, 133 min).

I've been a big Star Wars fan ever since the original was released 40 years ago. It's a saga I didn't want to end, although George Lucas' maligned (and largely unnecessary) prequel trilogy dampened some of my enthusiasm. Like a lot of people, I was cautiously optimistic when Disney announced acquisition of Lucasfilm and immediately announced continuing the franchise.

I say cautiously because, even though I was excited the saga would be getting another trilogy (beginning in 2015 with The Force Awakens), Disney also announced numerous Star Wars Anthology films (side stories, prequels, character origins, etc.) to be released in interim years between the regular episodes. The prospect of milking the property for all it's worth by running it in into the ground loomed large.

While most of us breathed a collective sigh of relief when Episode VII, The Force Awakens, was a triumphant return to everything that made the original trilogy great, the first announced spin-off, Rogue One, initially seemed to confirm my worst fears. Making an entire film based on a few lines of dialogue from the original Star Wars reeked of cashing in on a brand name. Since that dialogue also summarizes the outcome, what other possible purpose could a film like that serve?

"Dammit, didn't I tell you to 'go' before we left?"
Plenty, as it turns out. Surprisingly, not only is Rogue One better than the entire prequel trilogy, I'll go out on a limb and say it's also better than Return of the Jedi and just as good as The Force Awakens. While obviously still part of the Star Wars universe, Rogue One establishes a unique look and tone all its own. It's a down-to-Earth, gritty, in-your-face film that owes as much to classics like The Dirty Dozen and Where Eagles Dare as it does the saga which inspired it. Out of the entire franchise, this is the first one that truly feels like a war film. Because the basic premise - theft of the original Death Star plans by the rebellion against the Empire - is essentially a suicide mission, Rogue One is also the darkest and most violent. No love story, no quasi-mystic philosophizing, no fuzzy critters to market as plushies at the Disney store, no cute androids (though there is one that's funny as hell).

The film takes a fair amount of time establishing the plot and characters, but by the second hour, which focuses almost exclusively on the actual mission, Rogue One is a rapid-fire thrill ride. Featuring some of the best-executed battle scenes in the entire franchise, the final act is intense, vivid and extraordinarily suspenseful. Considering the outcome is already a forgone conclusion, that's quite a feat.

Donnie Yen loves the smell of napalm in the morning.
A major reason why we're so invested in this familiar story is the characters, an eclectic and inclusive band of rag-tag rebels led by Jyn Erso (Felicity Jones), one of the more dynamic female characters in the Star Wars universe. She's aided by rebel captain Cassian Andor (Diego Luna), brutally-honest android K-2SO (voiced by Alan Tudyk) and Clone Wars veteran Saw Gerrera (Forest Whitaker), who saved Jyn as a child when her father, Galen (Mads Mikkelsen), was taken by the Empire and forced to weaponize the Death Star. But my favorite character is blind warrior Chirrut Imwe, because there should be a place in every action movie for the legendary Donnie Yen.

While definitely part of the Star Wars universe, Rogue One works just as well as a stand-alone film. If you're one of the six people left on Earth who've never seen a single episode in the entire saga, you could walk away feeling like you've seen a complete, enthralling story. As for the rest of us, it fits neatly within the saga and holds up just as well over repeated viewings. If Rogue One is representative of what Disney has in-mind for the Star Wars Anthology films, the franchise just might remain fresh and exciting enough outlive us all.

EXTRA KIBBLES:
FEATURETTES:
"A Rogue Idea" - The early stages of production and planning;
"Visions of Hope: The Look of Rogue One" - Featurette of the set design and construction;
"The Princess & the Governor" - How Leia and Grand Moff Tarkin were digitally recreated;
"Rogue Connections" - A brief segment on the various connections to the ongoing Star Wars saga;
"Epilogue: The Story Continues" - Footage from the premiere, along with fan reactions and scenes from the film.
CHARACTER FEATURETTES:
"Jyn: The Rebel"; "Cassian: The Spy"; "K-2SO: The Droid"; Baze & Chirrut: Guardians of the Whills"; "Bodhi & Saw: The Pilot & The Revolutionary"; "The Empire"
DVD & DIGITAL COPIES
KITTY CONSENSUS:
MEE-OW! LIKE BEING TURNED LOOSE IN A BIRD SANCTUARY.